FAIL ON!

As much sense as it makes to sell artwork online I am just not interested in going that direction.  I like talking with people, showing my artwork to them, being in the moment. 

Of course because of COVID 19 public activity via my home studio is pitiful. To increase my exposure in our neighborhood I have resorted to displaying up to 10  canvases on the front lawn and driveway. Sometimes I paint outside too. I have painted the garage door, our car, the front door to the house, and have a 4' x 16' plywood construction on the front lawn, which I repaint every couple of months so you can be sure our neighborhood knows I'm here! In fact, just the other day some neighbor left a touching note on our car's windshield about how looking at all the artwork outside inspires and encourages her daily! 

To spread the word further about what I'm doing, I've recently landed two coffee shops where I paint outdoors on Fridays, which I am totally loving! In fact, one person actually bought two paintings this past September! Altogether people have been very encouraging.

The way forward? Keep doing what I'm doing of course. This may sound crazy but as I see it this is where faith and failure come together. My faith and trust is in God - period. I put everything in God's hands. As for failure, I decided a long time ago to chuck common sense and go all in with making art. There's just no stopping me on this. Considering that I define success as being able to do what I love, I can't fail anyway right? 

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Rising up!

With so many viral videos from all over the world posted online - from an inspiring mother & son duo in England singing Rise Up, to adolescent twins in Italy covering a COLDPLAY tune on their violins, to a Chinese farmer and his wife dancing to native tunes and so much more - all of the arts - movies, ballet, musicals, art, poetry... - are showing us just how important they are to us, especially in times of crisis!

Throughout all the videos I've seen recently, from the humblest home done to the highest-end professional, you can't miss the beauty of the human spirit. In each video, each unique creative expression, I hear the same underlying cry: "I will not be vanquished. I will not be beaten down. I will indeed rise to a new day."

Through the COVID-19 crisis we are experiencing right now, I believe we are getting an up close and personal look at the nature of mankind: It turns out that the drive to create and express what is deepest in our hearts is in our DNA! No wonder we have cave art from millennia ago!

Is it any wonder so many of us are online today inspiring, encouraging, sharing, reaching out? This is who we are: THIS IS US! To be human is to create - and to hope!

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O THE WONDER!

Tonight I looked at some pics of the desert online. My first thought was that a lot of my paperfolds remind me of these desert shapes! I have been drawn to the idea of the *desert on many levels for decades. Is it possible that the majesty, power, austerity, silence and emptiness of the desert are what undergird the beguiling simplicity of my paperfolds? Wow!

Painting since 2012, by 2014 I had already intuited that the seed bed for my artwork was my subconscious. By 2017, I speculated that my work wasn't random but rather came from some nameless, unified perspective embedded somewhere in my psche, perhaps from my earliest childhood. In 2019 I landed on the concept that my work has a deep spiritual basis rooted in my search for truth, for God (https://carolynellisart.com/blog-1) - a total surpise to me.

Here in 2020, I find yet another mind-blowing insight connecting the sublime simplicity of my paperfolds with my admiration for early monastics, the so called Desert Fathers. Discovering this new insight connecting my spirituality and my art practice is astounding to me. O the wonder!

*The desert is both fascinating and terrifying...In those desert combats (with self) you will have no support worth having except God. THE HERMITAGE WITHIN is full of insights about "desert spirituality" that go back well over a thousand years.

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Life begins when you’re ready for it!

Born in 1950, bored to tears at school for 12 years, then dutifully lining up for four more years of confinement, it took two years to figure out that college was not for me. (My first independent action as an adult was to drop out of school!) Following 3 months of hiking on the Appalachian Trail and a string of low paying jobs, I eventually met and married a wonderful man. 

From homeschooling our children I learned that I loved learning! In particular I discovered that I enjoyed researching topics. Next, I began to write about homeschooling. I enjoyed writing so much that for decades I would write at night after the children went to bed. When our two youngest children were 14 and 16, by which time I was 62, I bought a canvas and paints and tried my hand at abstract painting. From that point on I pretty much ran away with color!

6 months after my first canvas in 2012 I easily had enough work for a show at an area coffee shop. Encouraged by sales from this show I went on to land exhibit space at a number of places. 2 years down the road and I rented a studio space, had a business card made, bought my first smartphone, and was way into promoting myself as an abstract artist on social media.  

Now 8 years into making abstract art, I look back and see that it wasn't until I started painting that I defined my first vision for what I wanted to do with my life and began to untangle who I am as a person! Even as this untangling began, I didn't fully understand what was going on. It has taken me until now, right now, to see that as soon as I started painting I began an adventure, a journey, that is leading me to who I am as a person!

Consider that I use unmixed primary color in most of my paintings, many of which are 6 feet and larger; my bold, colorful compositions tend to be high impact/powerful. In other words, my paintings look like a bunch of big, well defined colors. So what is going on in those paintings?

At first I thought that my artwork was simply the result of my own narcissism.  I now reject that idea in favor of a much more comprehensive point of view: My paintings are big, bold, and powerful not because I am big, bold, and powerful but because I am looking for the source of power itself, or should I say, Himself: Yes, God! That was a shock! Here's another one: When I paint, I try not to control anything. I let my mind empty and then respond intuitively with color and shapes. This going blank, getting empty, includes putting aside logic and control and, creatively, pretty much jumping off a cliff.

Since I have been attached to simplicity/minimalism all the way back to my youngest years, back when I would tell my Mother I didn't want another dress or doll, this concept of getting empty to paint rang a bell for me.

While I have known for decades that the simplicity I am attracted to is much more than having less stuff, I have not been able to satisfactorily articulate exactly what I am after - until this idea of getting empty to paint hit me. Suddenly, I understood that for me simplicity is a metaphor. It is not less stuff I am after but less of me: less ego, less control, less dominance! 

These insights suddenly made sense of my whole life to date! Yes, I am a committed Christian but I had no idea my search for God would show up in my artwork, or that my artwork, in turn, would yield answers to questions I have mulled over for most of my adult life! Loving my journey!

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O paper!

O PAPER!

Paper and I go way back - at least to the First Grade (1956/7), back when I got a spanking virtually every day for stealing - paper of all things!  Tipped off by my teacher that I was stealing from the supply closet at school, my Mother dutifully emptied my "book bag"  as soon as I got home from school each day, confirmed my thieving, and would then then tell me that I'd be getting a spanking later when my Father got home from work. 

My loot was always the same: new black and white marble notebooks, and sometimes a box of new crayons and some pencils. Clueless about why taking what I wanted was wrong, I obstinately continued my life of crime until the Second Grade when I learned about the Ten Commandments, heaven and hell! So there it is: I have always had a thing for paper!

Married in 1980, when we started homeschoooling our children I eventually introduced the children to origami. While the kids loved folding cranes and flowers, I preferred using paper to create my own entirely abstract shapes  Decades later (2012), I happened to watch a magical documentary called "Between the Folds," The segment in this documentary about single fold origami was life changing for me. It was at this point that I started using 300lb Arches coldpress watercolor paper for all my paperfolds.

Though I have now been paperfolding for 8 years, in many ways I feel like I just figured out what I am doing this past May (2020) when I created a group of paperfolds that hit me with enough force to get my total attention. Up until that point I had only done one paperfold every couple of months - usually they ended up as cards. No more!

I think so highly of my current paperfolds (aka paper sculptures) that I don't write on them at all any more. I also don't refer to them as cards. My thinking is that I am making art, not cards! In fact, in my mind all my paperfolds are 8' tall sculptures! 

Something else that's different about the paperfolds I am doing now is that instead of being entirely spontaneous creations which I finish in less than a minute or two, my current paperfolds sometimes take me 20 minutes or more to conceptualize and create.

More changes: I have given myself liberty to do some cutting and augmenting, that is adding additional shapes to a fold - formerly a total no-no -  and have even begun to add graphic elements (with markers) which emphasize shape and add  a new level of power. 

The point I'm  trying to make is that instead of simply folding paper as I have done for years, I am now investigating/experimenting with a constantly growing number of concepts.

My paperfolds today have developed way beyond just being interesting and novel and become clear, concise experiences/ expressions of my inner spirit, my interior life. I have always looked at my paintings this way but for a long time I simply saw paperfolding as fun.

While I still like the famous Albert Einstein quote about creativity being intelligence having fun, I now like to say that, at least for me, creativity is about completing myself, finishing the creation of my humanity - not just finding my soul, my deepest foundations, but naming and understandings them. O the wonder!

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MY MOUNTAIN RANGE

Because I’m an interior person, a lot of my life is spent in my head, so to speak. Throughout the day I ponder and reflect on a whole range of topics that are important to me. Since abstract art is all about expressing interior realties, of course it’s no surprise that when I started painting in 2012 I chose abstract rather than realistic expression.

Though making music, singing, making up songs, and writing, have been part of my life for decades, it was only after I went full tilt into making abstract art that I realized that I have been engaged in some form of creative expression since childhood.

Somewhere around 2015 I recognized that painting is something like travelling or exploring for me, in that making abstract art brings me a kind of exultation of spirit and excitement akin to what I imagine it feels like to summit Mt. Everest, sail around the world, adventure into a jungle, explore a desert… Recently I have taken this thought a step farther: Looking at each of my developed interests/passions as an individual mountain, I have essentially created my own metaphorical mountain range of creative endeavors, with paperfolding just being added to the range today!

Exploring, investigating, discovering (aka playing around with) new ways to create, to pursue truth and beauty, to uncover whole new realities, new possibilities, have become a wellspring of the most extraordinary inspiration in my daily life. Is it any wonder that at 70 I like to say that I feel like I’m just being born?

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RED AS THE NEW BLACK

RED AS THE NEW BLACK

The first painting I did 8 years ago (2012) was at least 50% black. From the very beginning of my art practice, black was there, as were red and white. I have always assigned significance to this - with each color having its own meaning. For me, fear, self doubt, anxiety, isolation, darkness...all inhabit black. Though I don't consciously feel anxious or fearful when I paint, I tell myself that subconsciously something in me cleary does.

To this day, black continues to be a major player in my artwork. Of late, however, I am noticing a shift from black to red. Black may still be there in my work but red, which as noted has also been with me from the beginning, is starting to take a much more dominant place.

While black's self doubt and isolation may still be inside me somewhere, red's indomitable passion, engagement with life, fierceness, are quietly taking center stage in my most recent work.

My thinking is that the pandemic is summoning up red responses in me: a stubborn refusal to give up, to give way to discouragement, a willingness on some psychological level to "shed blood" rather than be defeated by today's alarming realities! I now see this “red thing” as a gigantic visual reference to flipping off everything out there - which is plenty - that is trying to bring down truly all of society with discouragement, divisive propaganda, and gloom. In other words, red is me going toe to toe with the whole world - with all it's negative data, pitiful prophesies, disturbing speculations - screaming as loudly as I can "I WILL NOT BE OVERCOME!”

70, a college drop out with no CV at all other than 30 years of being a homeschooling stay-at-home-mom, now turned abstract artist, I totally reject today's pessimism/fatalism and stand for hope, for faith, for loving kindness. Yes, red as loving kindness - love it!

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Covid 19 and me!

As an abstract artist, COVID 19 has ended up playing right into my art practice. What I mean is that sheltering at home has focused my energy and led to an entirely unexpected creative explosion for me, so much so that to keep track of all the ideas flooding my brain I now keep a daily "idea log!" 

One of the first things I did when COVID19 restrictions hit in full force was try and figure out how I might be able to help my community. This is when EZ ART Projects (EZAP) -- https://m.facebook.com/carolynellisart/?ref=bookmarks - was born.

My idea was to create an art resource for people who might be open to trying something new during these challenging times. Since I wanted all the projects to not only be easy but low cost, I decided to build each project around the very simplest, most accessible, materials: empty soda cans, paper plates, toilet paper rolls, pizza boxes...!

Rather than aiming for step-by-step crafts, my goal from the beginning with EZAP was smaller - and at the same time much bigger! "Smaller" because no instructions for anything are included in suggested projects! I just offer something simple, like an empty soda can, and invite people to create something unexpected with it. "Much bigger" because the pics included with each project are intended to pretty much blow the roof off of any preconceived notions of the given material, in this case a soda can, while at the same time opening a door to more imagination and creativity than most people even know they have!

The beauty of each project is that any one of them could easily become an entire art practice. For example, you could spend the rest of your life exploring soda cans as a material for making art! 

My approach with all EZAP is never to just "give people a fish," that is, present a finished piece to be directly imitated - not at all! What I am attempting to do is to "teach people to fish," that is, light a flame of inspiration, which, hopefully, will lead to enough self confidence and creativity for anyone to be able to play/manipulate/investigate any materials.

Having started out with a temporary initiative intended to help folks confined at home during COVID19, it is a surprise to me that I use the very same creative process for EZ Art Projects that I use with my 6' canvases, which, in turn, has ended up blowing the roof off my own art practice, leading to a whole new order of discovery and investigation. O the wonder!

Carolyn Ellis

carolynellisart.com 

carolynellisart@gmail.com 

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LOVE, ART, GOD!

Love is simply the name for the desire and pursuit of the whole. PLATO, The Symposium

I came upon this quote online about an hour ago. (Thank You. Lord!) It struck me deeply because I have been grappling with trying to understand more about love, art, and ultimately God, for decades! Then here comes this quote, which I think is just the linchpin I've been looking for all these years!

Replacing the word "love" with art yields a wonderful insight about my making abstract art. What I mean is that when I paint I know when I'm finished because, looking at the canvas, I recognize the creative experience I was engaged in is complete - it's finished. I've never thought of using the word "whole" or wholeness, but that certainly is the concept I'm trying to express.

Taking out the word "love" and replacing it with "our desire for God" yields an even deeper truth: "Our desire for God is simply the desire and pursuit of the whole." Having come from God, we are indeed not complete, not whole, until we allow God into our lives. Or as Johnny Cash once put it, "Anyone who really wants the truth ends up with Jesus."

Putting all this together, what I get is that the passionate pursuit of anything - anything at all - relates to looking for the whole, the complete, the perfect - a metaphor for God in my book. Bottom line, whether we know it or not, whatever journey we are on, I think we are all after the same thing, or should I say the same person or reality - God. O the wonder!

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Wow!

When Instarted painting in 2012 I thought I was painting because it was fun. Over time, however, my paintings started talking to me, so to speak, which changed everything!

What I eventually realized is that as chaotic and abstract as my painting are, the composition is intentional! All those bold unmixed colors and forms, the hard lines, even the big size of my canvases, these aren't random and spontaneous at all! They are virtually dictated by my soul, my heart, my past, my present, speaking to parts of my life I didn't even know were in me! Bottom line, being an abstract artist is revealing me - to me!

Through "listening" to my paintings, questions and issues I've mulled over for decades, along with a boatload of stuff I didnt even know existed, are all coming to light and helping me immensely.

The painting shown here is a perfect example of what I mean: Painted in 2018, all I saw at the time in this 4'x5' canvas was a big, bold, high impact painting - which I totally loved. Later when I applied my "listening skills," however, I began to see a whole new world, deriving meaning and context from an "exploded" cross image, which opens up and provides a pathway (red and white rectangles) out of the darkness into the unknown. Note, this is not me giving the definitive meaning of this painting! This is just me doing what every viewer of abstract art does, which is giving my very personal response to this particular painting.

The more I listen to my work the more personal, even prophetic, my work becomes for me, revealing insights and wondrous reflections which continue to astound me.

All these years I thought I was painting because I had something to say. Turns out I am painting because I have something to learn! I'm not the master, I'm the student!

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Hope/surviving Covid 19

I endured years of panic disorder back when I was raising children. During that period I was basically forced to come up with coping mechanisms which, as it turns out, I am now able to resurrect and apply to the current COVID 19 crisis!

A key part of my regime at the time, when my symptoms were at their worst, was to break every day down into 15 min. increments. While waking up and staring at an endless tunnel full of 24 hour days was horribly overwhelming, I found I could at least muster the will to manage 15 minutes!

My state was so pitiful back in the day that simply surviving those 15 minutes was all I could handle. This was the basis of my daily life for 2 pregnancies. After each birth things eased up enough that I could expand that time frame, but the main idea of don't look ahead lasted a long time. I am applying that thinking today because I don't want to get lost in the "what-ifs." I want to stay within the confines of each day.

Another thing that helped me a lot with panic was taking walks. Getting out and walking somehow let me get ahead of my panic, which I used to call "the old man." Sometimes I felt like the old man was less than a block behind me, other times, when things got better, I could be as much as half a mile ahead of him!

I am not saying that I am in panic mode here but I am certainly aware that time management is going to be important for my peace and well being right now. Having the dogs is great all the time but they are going to be wonderful for me now more than ever! State Parks are still open in TX, making for much fun! Taking the dogs for walks is not only a great way for me to keep my focus off the current restrictions but also a wonderful way to increase my personal peace - and fitness!

Praying was a huge in my life when I was panic stricken. It was easy to pray then because, being as desperate as I was, God was very real in my life (He is always there of course!). I was so agitated when I had panic disorder that I couldn't sit still to read scripture or pray but I could walk and pray! With today’s limitations, I am determined to make prayer and reading scripture more of a priority during the coming months.

As for making art, as an abstract artist making art is a central part of my life. Being home even more now because of my broken ankle, I find my creative energies totally supercharged! I have so many projects going on right now that I have started keeping a daily log so I can keep track of things!

With God we shall do valiantly. Psalm 60:12a

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ONE BLOCK

A few months ago I hit on the idea of making some wooden blocks to fool around with. My initial goal was to end up making fanciful structures out of these blocks. On the way to that goal, however, I got involved in a detour, spending weeks wrapped up in simply photographing blocks, one at a time, looking for interesting lighting and  unexpected compositions.

Eventually I got to photographing 2 and 3 blocks at a time. This turned out to be such a rich exploration I began to doubt if I would ever get to the fanciful structures I had originally planned to create!

Then somewhere along the line I started using markers to do graphic work directly on the blocks. This right away turned into a thing. Night after night I began creating at least one new block.

After making a dozen of these magical blocks, I hit on the idea of working on five 2"×2"×9"blocks to create a sort of abstract puzzle. With no fixed "solution" for any of the 4 sides of the puzzle, all 20 sides of the 5 blocks could be used to create no less than millions of possible arrangements! Wow!

With one puzzle idea leading to another, I soon started doing graphics on a Rubik's cube type toy. Then, while at Walmart the other day, I decided to take a look at puzzles in the toy department to see if anything there could be "graphic-ed."

When I saw a 16 piece Disney wooden block puzzle I knew I had found my next project! This is the project I am working on at the moment. The very first night I began to work on the Disney puzzle a door opened somewhere in my mind, allowing me to access deeper creative sources than any of my other block work had achieved. The Disney puzzle work was way beyond graphic. This was art - explosive, energetic, thrilling art! 

While I am able to achieve this exalted state with my canvases, and have achieved the same with other small projects (paper cups, ping long balls, 6" cardboars tunes...), I had not had a complete breakthrough with blocks until the Disney puzzle. 

I think the reason “Disney helped me" is that previously I had been working with blank wooden blocks. The nature of the block - rigid, small, rough - was defining my creative efforts too much! With the Disney puzzle I was painting with oil based markers over a complete scene, which caused me to see each puzzle face I was painting over as something like a blank canvas - instead of a wooden block. This, in turn, set me completely free to launch into the kind of creative interior space that I need to get to "me," my personal, interior voice. 

This block experience, like all my small projects, has been hugely encouraging for me as an artist. In a way, each project is like a retreat which leads me back to my creative sources, reminding me over and over that no matter how small a project is there is room for explosive originality and communication. O the joy!

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ASK, FAIL HARDER, AND DON’T TAKE NO FOR AN ANSWER!

As an abstract artist I don’t wait for oppprtunities to come to me. I go out and look for them, create them even, by stepping up and asking!

Over the last few months I have sent an Artist in Residence (AIR) Proposal to 5 different places (4 colleges/universities and 1 major museum). While it doesn’t look like any of these places are going to work out for me as an AIR, I am not one to give up. It doesn’t cost a thing to ask, to make inquiries.

Today I decided to go to the top, so to speak, and sent a handwritten letter the Director of the Guggenheim in NYC with an AIR Proposal, specifically suggesting that such a position would be awarded to an artist who has not achieved sales goals or public exposure! So what if this is a 1 in a million scheme! Fail harder means put all fear aside and aim for the top of your vision not the bottom!

Last week an article I put together and submitted to a local newspaper was rejected. I right away rewrote the article as a press release, meaning that I kept the content but put everything in the third person and reported the same info but made it sound like breaking news. Then I qouted myself: “Local abstract artist, Carolyn Ellis has her own spin on this subject…” (Of course I noted my website and referenced the fact that there is currently a three page article about me in Southwest Now, a local monthly magazine.) As for authorship of the article, press releases are anonymous, so to speak!

While I have been applying these rules - ask, fail harder, don’t take no for an answer - to my art practice for years, it is only today that I realized it! I have never really thought about just how aggressive I am about getting my work out there but I see now that I am! I routinely make two, even three, attempts to turn any “no" into a “yes.”

Right now I am in the midst of a months long discussion I initiated with the Director of local Parks and Recreation about using a big, gorgeous room in the Duncanville (TX) Recreation Center to run what I call an OPEN STUDIO for local residents (adults, children, disabled, special needs). The idea is not for me to teach anything, but rather for me to work and create in this studio and lead others simply by inspiration and encouragement, not instruction. Onward!

Pic is from a Dallas bookstore which let me hang artwork some months ago! Light, energy, excitement, color, bold visual impact - it’s all there, making this place visually distinctive for sure!

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BEYOND SPRING FEVER

As an abstract artist I feel like I always have “spring fever” - a sort of joyful, restless anticipation, akin to giving birth! Take this month: Currently I have 6 creative projects incubating!

Project #1 relates to securing a huge, well lit, free studio space at the local Recreation Center, where I would encourage, guide, anyone who wants to explore the arts. Though the Recreation Center Director likes my idea and is currently brainstorming with his boss to see if this can happen, my guess is “No.” There are just too many rules at this place, like nothing is allowed on the walls, nothing can be written or taped on the ample glass windows, which would all have to be changed if I am brought on board.

Projects #2, #3, #4, and #5 relate to my sending out proposals to the Art Departments of 4 Dallas area colleges/universities about my being designated Artist in Residence (AIR). While I have already been rejected by two of the colleges - “no interest at this time,” I am still waiting for an answer from the other two.

The last project, #6, is clearly the most daring: I sent a proposal via email to The Guggenheim Museum (TGM) in NYC inquiring about starting an Artist in Residence program there! After two false starts, meaning I never got any kind of confirmation that my emails were recieved, today I resent the email to another Department at TGM and got a confirmation that what I sent was at least received - a beginning! Ok, the TGM idea is crazy but that’s sort of how I feel all the time: crazy, hopeful, joyfilled, busting with ideas…!

Ending January I am super excited about continuing to push creative conventions, all the while improvising to the hilt, creating endless new realities! O the joy!

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PAPER CUPS

I started doing graphics on paper cups about three years ago. I used the sturdy white cups I got whenever I ate at the cafe across the street from where my studio at the time was. This went on for about a year. Then I switched to McDonald’s coffee cups because I liked the design on them.

About 6 months ago McDonald’s changed the design of its coffee cups. The new design has much less text and is almost all deep yellow, which really resonated with me. I now only use McDonald’s yellow coffee cups (medium size)! Thanks to McDonald’s customer service, which I contacted about my work, I am now able to get McD coffee cups for free!

For reasons I dont even understand, the small curved surface of these coffee cups has led me to a wholly unexpected level of confidence, boldness, and creativity, which I am totally loving!

This one small project has ended up leading me to a variety of other small projects involving ping pong balls (more colorful graphics), plastic Christmas tree decorations (graphics again), and most recently, wooden blocks (interesting shapes and textures)!

I am learning so much about my creative process from these small scale works! In particular I am learning about using a minimum number of elements to create what I see as breathtaking results! So excited about where this will lead!

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TWO BLOCKS

I spent a considerable amount of time last night, the first day of the year, playing with two wooden blocks. (I’ve been playing with blocks for about a month!) I'm sure I took at least 10 pics of this 2 block arrangement last night, trying over and over to capture what I was seeing and experiencing in this elemental arrangement.

To my surprise I never captured what I was after, which is quite a surprise really. I thought pictures captured reality but I see now they only capture part of it. As far as I’m concerned, the texture, the density, the cohesion, the drama, of these two blocks clinging to each other as a single unit simply doesn't come through in any of the pics I took.

Despite my photographic "failure, however, I did get to a new insight about what I'm doing with these blocks which I am am quite excited about: By reducing the elements of this project to just a few blocks I find I am able to experience an entirely fundamental unity, cohesion, I would even say beauty, which I am finding positively thrilling.

By eliminating multiplicity and dwelling entirely on this level of simplicity I am experiencing beauty and drama in forms and structures, textures, which I see as simply belonging together, "needing" each other, “relying" on each other - creating the most unexpectedly profound and beautiful, poetic realities!

The thrill of discovering new realities, the daily creative adventure of constantly climbing a new Mt. Everest, is not only thrilling and life giving but leading me to deeper truths and the most extraordinary experiences of beauty. O the wonder!

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Last blog of 2019

As an artist the most important thing I've learned this year is that it is not making art that drives me year after year, it is my passion for discovery and adventure!

While some people need to travel, get another degree, write another book, make more money, climb a bigger mountain, etc., I now see that the thrill I seek as an artist, which in my case is wedded to abstract expression, is first and foremost zeal for expanding boundaries, coming to new insights - what I am calling discovery adventures!

I learned this new personal axiom through all the little projects I undertook this year - all the McDonald's coffee cup art, the ping pong ball and later the Christmas tree ornament graphics, paperfolding and wooden block explorations…!

Through these creative experiments I ended up bumping into new and unexpected levels of fearless boldness which eventually led me to understand that it is not coffee cups or blocks which excite me but rather the wholly delightful adventure of exploring, discovering, entirely new forms of creative expression!

The idea that something as small as a ping pong ball could open up a whole new level of confidence and creativity, leading to the revelation that it is indeed the adventure of discovery and adventure - in other words, the search for truth - which propels me as an artist is truly amazing don’t you think?

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MEMORIES

Memories

Like anyone my age (70), I get nostalgic from time to time about the past. In particular, holiday gatherings with all the children and grandchildren together always send me back to the beginning of things, back when I was in the trenches with this little flock - barely able to make it through each day with its endless needs and demands.

As an artist I have a similar kind of nostalgia about paintings completed this year, projects undertaken, articles written for the local newspaper about art (both mine and others), my 6 month show in Dallas at a large bookstore, my attempt to land a free studio space in Dallas (Still working on that!), the 20 page zine I put together - ART MUTT/Finding Me - about my art journey from 2012 to this year, the big outdoor show I landed this past October via Duncanville Parks & Recreation for March 2020, the interview I did in Oct. with Southwest Focus for March 2020 publication, the whole Artist in Residence Proposal I sent out to 4 local colleges 2 weeks ago (No official responses yet since colleges are closed until Jan. 6)...

Of all that I have done this year the slideshow from this past summer of our son playfully responding to some big works in progress tops my list for "Work of the Year"! The joy, creativity, enthusiasm, spontaneity, delight, innocence, energy... of this bit of homestyle fun speaks volumes to me both about our son, who is so precious to me - as all our kids are - and about my own connection with my artwork.

I end this year proud and happy as an artist and so very grateful to God for the love and life He has shared so generously with me. Merry Christmas, y'all!

Watch "Martin with Big Art. June 2019" on YouTube

https://youtu.be/jersg76ZN2U

Space

When we moved a year ago it was our new house's living room, with its soaring cathedral ceiling, which totally sold me on this particular property. When we bought the house I right away turned the whole living room into my studio!

As interested as I am in the tiny house movement, I just put it together this week that as an artist I need lots of light and expansive space to nourish my creativity. 8’ ceilings and small narrow rooms would never work for me. Mentally, emotionally, psychologically, creatively, my vision for making art withers when confined to smaller spaces. Imagine trying to plant a 20’ tall tree inside your house - it’s sort of like that.

At 70 I am just now coming to understand that my entire art practice feeds off of light and space - o yeah and color too! ! O the wonder!

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ART MUTT

For me, writing is a discipline, a way to force myself to develop my thoughts, to reflect as deeply as I can about a topic. ART MUTT/Finding Me is a self published 20 page booklet which summarizes my art journey from 2012 when I started painting at 62 to today, 2019.

The stark simplicity and creativity of the cover give a clear hint of what is to come. My husband’s response to this little enterprise was wonderful: “Soul stirring, inspiring, transformative, universal, I want my own hard copy so I can read it again and again!” This from a heavily left brained, engineer! Amazing!

Wanna copy? Send a donation to Carolyn Ellis 810 S. Lincoln Drive, Duncanville, TX 75137.

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